Digital download of the Water of Life album.
"it questions perceptions of, and boundaries between, natural and man-made contexts; it demonstrates the inextricable (and harmonious) relationship between nature and industry, science and mythology; it reflects a constant, yet constantly unknowable, source. It gives water a voice." - The Quietus
"blurs field recordings with folksong, vintage synths and ambient electronica to create something at once natural, unnatural, and in perfect harmony with its source." - The List
"A fascinating and ambitious project that tests the boundaries of what we perceive as music in the environments we live in" - The Vinyl Factory
"These tracks, an ‘alternative travelogue’, evoke memories of 1970s Tomorrow’s World style programmes about a brave new world and as such fit into the hauntological universe of acts such as The Advisory Circle and The Eccentronic Research Council. This music really should be sountracking a BFI release of archive footage. Artefacts like this come along rarely and when they do often do not reach the level of thought, care and quality of Water of Life" - The Active Listener
"aquatic synths burble alongside pulsating geyser beats and hydrophone chronicles, buoying the double helix allure of coursing waters: a becalming surface simplicity that, on closer inspection, reveals an unceasing shape-shift of busying audial information" - Record Collector
"Is it possible for people around the world to be interested in a Scottish water system? Amazingly, yes. In the same way as a good novel makes one care about characters and settings that one has never visited, Water of Life makes its subject seem so interesting that the music itself seems almost an afterthought." - A Closer Listen
"Water Of Life underscores the significance of water at every level, and indeed the importance of art: it re-maps our physical and imagined landscapes; it changes our perceptions of our day-to-day surroundings; it makes us reassess the world(s) around us, and beneath our feet." - The Herald
Recordings made with hydrophone, ambient and contact microphone recordings of rivers, spring houses, manhole covers, pub barrel rooms, pipelines and taps are mixed with the peals and drones of 1960s transistor organs, harmoniums, Swedish micro-synths, drum machines and iPads: a blend of the natural and unnatural; modern and antiquated; hi-fi and lo-fi. Drum beats were sampled from underwater recordings, and reverbs created using the convolution reverb technique to recreate the sonic space of different bodies of water.
Many of the sounds collected around Edinburgh and used to make the record are available on a sound map here: www.edinburghwateroflife.org/sound-map/